The artwork titled "MRC" captures the experience of working in the field of education, where there is a constant rush and a million running thoughts. The never-ending to-do list seems to grow perpetually, with the challenge of catering to the interests of many students at once. This creates a split attention and decision-making process, where the interests of groups often take precedence over the needs of individuals. Amidst this, there are scars that traverse the entire production, highlighting the complex relationship between our work and the Country we occupy. Are our actions merely deflated symbols of action, shadows of possible change, tokenistic attempts? The Welcome to Country, while a start, does not fully address the underlying issues. The acknowledgement of Country can often feel insincere, adding to the unlimited frustrations that arise within this environment.
Timboon
The individual work titled "Timboon" within the "Connecting to Country" series explores the theme of home, resettlement, safety, and love, juxtaposed with the historical reality of sanctioned culls within my grandparents' generation on this land. Upon inquiry, any memory of the First Peoples becomes an unseen footnote, a past extermination event on their property that was long over. The contrast between the beauty of the country and the dark shadows of its history creates a complex and conflicting narrative. Racism infiltrates conversations, leading to the need for explanations of insults that are difficult to comprehend. Bringing together these conflicting truths within my mind proves to be exceptionally challenging. Deep grief and frustration emerge as I confront the reality of my situation and the powerlessness I feel in the face of larger systemic issues. However, I find solace in refocusing my sphere of influence and working towards manageable, actionable changes.